mockturtle (hellblazer06) wrote,

Even cowboys get the blues

So I did see Hell or High Water last night (always a close run thing given my unexpected deadlines in this 24-hour news cycle life we lead now).

Oh boy, golly and gosh (and please don't show CWP my original tweet, I was having a fit of the vapours).

So yes, I should have said Hell or High Water was a jagged pic of the souring of the American dream and not just CP being gorgeous. Chris Pine was gorgeous though. How did no one notice those blue eyes? Should have put an APB out on those eyes. Bank robber with the bluest of blue eyes, ever.

It was a perfectly judged and understated, very quiet performance, and I loved him dearly for it. I have faith in him as an actor again, a damn fine actor.

Because I wasn't sure, knowing he went from this straight to Trek, if it was because the role, as written, required Kirk to looked tired and as if he was just phoning it in, or if Chris was just tired and phoning it in. Maybe both, I dunno. Not that I mind angsty, miserable Kirk (it makes for much angsty teenaged fic, all There Is a Light That Never Goes Out), but still.

But I loved Hell or High Water. It is one of those classic old noirish westerns where you want the bank robbers to win because the world ain't fair or right. And a Nick Cave soundtrack. Bonus. Proper.

And man, I am missing Justified so bad right now. I would not have believed it if I hadn't seen it with my own eyes, but I think Chris actually out-did Timothy Olyphant's Raylan Givens for sleek, bruised cool, and that is saying something, because, man, does Raylan make me go weak at the knees, still, so you can imagine what that last scene did for me. (Still, it'd make me the second person in my family tree to spontaneously combust, not the first). I like my boy being all intense and more than a bit bad and dangerous.

Not that I don't love him being all gosh darn sweet and heroic - how many times have I watched The Finest Hour now? Love the accent. Pretty spot on with accents (except British, ouch).

So, yes, great film about the current American dystopia. How the west was lost? And how dumb is the SMH saying we should look to US re housing when I've just seen a film about brothers robbing banks to save the farm. Seriously. No one should be looking to America as anything but a horrible warning, not a shining example.

Speaking of hard times, ran into my favourite Big Issue seller on way to Quay (I walked across town, yay me). He's doing it tough too since they sacked three whole towers of government workers (including me) over the last couple of years (they switched out the lights just the other month).

It's not just the government employees who lost their jobs. The coffee shop, sandwich shops and newsagent are gone, too.

I told him the survivors are down the skanky end of town. There's only a few here from my old offices that made it, so I didn't do too bad, coming through some extreme elimination rounds. Of course it's only because I'm easily pushed into working long days for no pay, but still, I get paid for half the time I work, which is better than none.

And it's good to have a few old mates here - startled a co-worker down at the coffee shop when I was hugged from behind. Oh, that was just the Head of X I explained, to her further astonishment. I knew Y when we were girls together in Dept Z (and bless her, she still treats me like we're still girls together on that old floor). That's nice.

But, yes, basically, saw Hell and High Water, it was amazingly good and Chris Pine was totally rocking that porn 'tache (which means he can't play a Qantas pilot anytime soon). That was some mighty fine Pine.
Tags: chris pine, film, justified, star trek, timothy olyphant

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